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Nora Dumas (b. Budapest, 1890, d. Thonon, 1979), was Hungarian photographer who worked mainly in Paris. ==Biography== Nora Dumas was born Kelenföldi Telkes Nóra, in 1890, in Budapest, which she left for Paris, France in 1913. Spending the years 1914–1917 in an internment camp, she then went to the United States, where she met the Swiss architect, Adrien-Émile Dumas, whom she married.〔She signed her early works Dumas-Satigny〕 Returning to France, the couple settled in Moisson. Nora’s photographs produced there and amongst other villages of the Seine depict rural life as endangered, as a result of the wartime decimation of the male population and poverty.〔Goujard, L. (2009) 'Photographie pittoresque. L’influence des modèles esthétiques traditionnels sur les photographies de la pauvreté'. In ''Apparances: Histoire et culture de paraïtre''.: IRHiS Septentrion, Université de Lille. France.〕 Ergy Landau took her on as an assistant in her studio in Paris in 1929, where they worked together for nearly ten years, sharing the celebrated Ukrainian model, Assia Granatouroff for studio photographs of the nude. Both also produced portraits of adults and children and fashion photographs. Her photo of a draught horse straining at the yoke brought her attention and inclusion in an exhibition, with Ergy Landau and André Kertész, ''Das Lichtbild'' in Munich in 1931, and at other exhibitions in Paris and Brussels. She joined the agency Rapho which was set up by Charles Rado to represent fellow Hungarian friends and refugee photographers including Brassaï, Ergy Landau and Ylla, and her work was taken up by a number of magazines〔all, N'Goné & Monterosso, Jean-Luc & Espace Electra (2006). En français sous l'image : des photographes francophones et leurs publications dans la collection de la maison européenne de la photographie : Espace EDF Electra, 27 avril-30 juillet 2006. Paris musées, Paris〕 including ''Vu'',〔Leenaerts, D. (2010). Petite histoire du magazine Vu (1928–1940): entre photographie d'information et photographie d'art. Peter Lang.〕 ''Bifur'',〔BIFUR, edited by Georges Ribemont-Dessaignes was published 1929–1931 and lasted only 8 numbers. It concerned itself with surrealism, Marxism and anarchism, both French and non-French, philosophy and interrelations of literature, art, and politics.〕〔Bosio, A. ''La maison de la photographie et de l’image''.Chicago〕 ''Photographie'',〔PHOTOGRAPHIE was an annual, a special issue of the magazine ''Arts et Metiers Graphiques'' entirely dedicated to photography. Dumas’ work was published in issue 16, 1930〕 ''Paris magazine'' (a celebrity gossip magazine) and ''Follies'' (a popular French pin-up magazine). Nora Dumas died in 1979 at Thonon, near the Lake Geneva. Her works are archived by the Rapho Agency. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nora Dumas」の詳細全文を読む スポンサード リンク
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